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Art Blakey

Complete Reviews, 1954–1981

Art Blakey ran the Jazz Messengers from 1954 until his death in 1990, and that band was the single most important developmental space for hard bop musicians during those four decades. The catalog reviewed here covers the canonical Blue Note Birdland recordings, the Moanin' session with Lee Morgan and Benny Golson, the 1960s peak with Wayne Shorter and Freddie Hubbard, and the late return on Concord. Fifteen albums across two eras. Browse below.

15Albums
28Years of Releases
2Eras

Art Blakey, 1919–1990

Art Blakey was born October 11, 1919, in Pittsburgh. He played piano first and switched to drums in his late teens. He worked with Mary Lou Williams, Fletcher Henderson, and Billy Eckstine (in the orchestra that incubated Dizzy Gillespie, Charlie Parker, and Sarah Vaughan) before forming the Jazz Messengers as a working band in 1954.

The Jazz Messengers ran continuously from 1954 to Blakey's death. The personnel changed constantly, and that was the point: the band was a finishing school for young hard bop musicians. Lee Morgan, Wayne Shorter, Freddie Hubbard, Benny Golson, Bobby Timmons, Cedar Walton, Curtis Fuller, Hank Mobley, Wynton Marsalis, Branford Marsalis, Terence Blanchard, and Donald Harrison all came through.

The Blue Note catalog of the late 1950s and early 1960s is what most listeners reach for first. Moanin' (1958) and A Night in Tunisia (1960) are the two most famous Jazz Messengers records, but the 1963 Riverside dates with Curtis Fuller and Wayne Shorter (Caravan, Ugetsu) are equally substantial.

Blakey continued leading the band through serious health problems in the 1980s, including the loss of most of his hearing in his final years. He died of lung cancer in New York City on October 16, 1990, at age seventy-one.