Cannonball Adderley
Forty-nine albums reviewed across two decades: from the thrilling EmArcy debuts that announced a new alto voice in 1955, through the classic Riverside quintet recordings that defined soul jazz, the Capitol crossover years that brought "Mercy, Mercy, Mercy" to the pop charts, and the late Fantasy sessions where funk and spiritual jazz opened new territory before Adderley's sudden death in 1975.
Cannonball Adderley, alto saxophone: 49 records reviewed on Vinyl Standard across four eras, 16 of them rated five stars.
- Records reviewed
- 49 in 4 eras
- Years covered
- 1955–1976
- Five-star records
- 16 of 49
- Start here
- Somethin’ Else
- Recorded most with
- Nat Adderley 37 · Sam Jones 20 · Joe Zawinul 18 · Louis Hayes 16 · Roy McCurdy 16 · Walter Booker 10
The Early Recordings
The arrival: from the stunning debut that made him the talk of New York in 1955, through the EmArcy sessions with Nat Adderley, the strings album, and the two masterworks that closed the period. Somethin' Else with Miles Davis and Portrait of Cannonball with Bill Evans.
View 8 Reviews →The Riverside Years
The quintet finds its voice. Bobby Timmons, then Victor Feldman, then Joe Zawinul at the piano. Sam Jones and Louis Hayes driving from below. The San Francisco and Lighthouse live dates, the Coltrane summit in Chicago, the Nancy Wilson collaboration, and the Bill Evans quartet date.
View 15 Reviews →The Capitol Years
Crossover and conquest. The sextet with Yusef Lateef and Charles Lloyd. Nippon Soul live in Tokyo. "Mercy, Mercy, Mercy" becomes a pop hit. Joe Zawinul's compositions push the quintet toward electric territory. The bossa nova record, the Fiddler on the Roof album, the Oliver Nelson big band date.
View 15 Reviews →Capitol & Fantasy
The final years. Country Preacher live at Operation Breadbasket. George Duke replaces Zawinul. The funk and spiritual jazz explorations of The Black Messiah and Inside Straight. The Phenix retrospective. Big Man, the folk opera. Lovers, the posthumous farewell with Jack DeJohnette and Airto.
View 11 Reviews →Six landmark Cannonball records embedded as full-album videos: Somethin' Else, The Quintet in San Francisco, Mercy, Mercy, Mercy!, Know What I Mean?, In Chicago, and Them Dirty Blues.
Open the Cannonball Adderley video page →Cannonball Adderley Discography
All 49 Cannonball Adderley records reviewed on Vinyl Standard, grouped by era in the same order as the era pages, each linked to its review.
The Early Recordings 1955–1958
The Riverside Years 1958–1962
- Jump for Joy★★★★★
- Things Are Getting Better★★★★★
- Blue Spring★★★★★
- Cannonball Adderley Quintet in Chicago★★★★★
- Cannonball Takes Charge★★★★★
- The Cannonball Adderley Quintet in San Francisco★★★★★
- Them Dirty Blues★★★★★
- Cannonball Adderley and the Poll-Winners★★★★★
- The Cannonball Adderley Quintet at the Lighthouse★★★★★
- Know What I Mean?★★★★★
- African Waltz★★★★★
- Plus★★★★★
- Cannonball Enroute★★★★★
- Nancy Wilson / Cannonball Adderley★★★★★
- The Cannonball Adderley Sextet in New York★★★★★
The Capitol Years 1962–1968
- Jazz Workshop Revisited★★★★★
- Cannonball's Bossa Nova★★★★★
- Nippon Soul★★★★★
- Cannonball Adderley Live!★★★★★
- Live Session!★★★★★
- Cannonball in Europe!★★★★★
- Fiddler on the Roof★★★★★
- Domination★★★★★
- Great Love Themes★★★★★
- Cannonball in Japan★★★★★
- Mercy, Mercy, Mercy!★★★★★
- Why Am I Treated So Bad!★★★★★
- 74 Miles Away★★★★★
- In Person★★★★★
- Accent on Africa★★★★★
Capitol & Fantasy 1969–1976
- Country Preacher★★★★★
- Quintet & Orchestra★★★★★
- The Price You Got to Pay to Be Free★★★★★
- The Black Messiah★★★★★
- The Happy People★★★★★
- Inside Straight★★★★★
- Pyramid★★★★★
- Love, Sex, and the Zodiac★★★★★
- Phenix★★★★★
- Big Man: The Legend of John Henry★★★★★
- Lovers★★★★★
Julian “Cannonball” Adderley 1928–1975
Julian Edwin Adderley was born September 15, 1928, in Tampa, Florida, and grew up in Tallahassee, where he led a high school band and earned the nickname "Cannibal" for his appetite, later softened to "Cannonball." He studied music education at Florida A&M University and led an Army band before moving to New York in 1955, where a sit-in session at the Cafe Bohemia with Oscar Pettiford's group launched his career overnight.
The quintet he co-led with his brother Nat Adderley became one of the most popular and hardest-swinging groups in jazz, building a repertoire that moved fluently from hard bop to soul jazz to funk without ever losing the blues feeling at its core. His alto tone was enormous, warm, and authoritative, equally at home in the most demanding bebop lines and the simplest gospel melody.
He died on August 8, 1975, in Gary, Indiana, at the age of 46, four weeks after suffering a stroke. He left behind one of the richest discographies in jazz: more than 140 albums, and a body of quintet music that remains among the most joyful and life-affirming work the music has produced.