♪ Album Reviews · Alto Saxophone

Cannonball Adderley

Complete Discography, 1955–1976

Forty-nine albums reviewed across two decades: from the thrilling EmArcy debuts that announced a new alto voice in 1955, through the classic Riverside quintet recordings that defined soul jazz, the Capitol crossover years that brought "Mercy, Mercy, Mercy" to the pop charts, and the late Fantasy sessions where funk and spiritual jazz opened new territory before Adderley's sudden death in 1975.

49Albums Reviewed
22Years Covered
4Eras
At a glance

Cannonball Adderley, alto saxophone: 49 records reviewed on Vinyl Standard across four eras, 16 of them rated five stars.

Records reviewed
49 in 4 eras
Years covered
1955–1976
Five-star records
16 of 49
Labels
Capitol 17 · Riverside 16 · EmArcy 6 · Fantasy 6 · 3 others
Recorded most with
Nat Adderley 37 · Sam Jones 20 · Joe Zawinul 18 · Louis Hayes 16 · Roy McCurdy 16 · Walter Booker 10
Counts are records reviewed on this site, not the full discography.
Era One

The Early Recordings

1955–1958  ·  8 Albums  ·  EmArcy, Blue Note, Riverside

The arrival: from the stunning debut that made him the talk of New York in 1955, through the EmArcy sessions with Nat Adderley, the strings album, and the two masterworks that closed the period. Somethin' Else with Miles Davis and Portrait of Cannonball with Bill Evans.

View 8 Reviews →
Era Two

The Riverside Years

1958–1962 · 15 Albums · EmArcy, Riverside, Mercury, Capitol

The quintet finds its voice. Bobby Timmons, then Victor Feldman, then Joe Zawinul at the piano. Sam Jones and Louis Hayes driving from below. The San Francisco and Lighthouse live dates, the Coltrane summit in Chicago, the Nancy Wilson collaboration, and the Bill Evans quartet date.

View 15 Reviews →
Era Three

The Capitol Years

1962–1968  ·  15 Albums  ·  Riverside, Capitol

Crossover and conquest. The sextet with Yusef Lateef and Charles Lloyd. Nippon Soul live in Tokyo. "Mercy, Mercy, Mercy" becomes a pop hit. Joe Zawinul's compositions push the quintet toward electric territory. The bossa nova record, the Fiddler on the Roof album, the Oliver Nelson big band date.

View 15 Reviews →
Era Four

Capitol & Fantasy

1969–1976  ·  11 Albums  ·  Capitol, Fantasy

The final years. Country Preacher live at Operation Breadbasket. George Duke replaces Zawinul. The funk and spiritual jazz explorations of The Black Messiah and Inside Straight. The Phenix retrospective. Big Man, the folk opera. Lovers, the posthumous farewell with Jack DeJohnette and Airto.

View 11 Reviews →
New
Watch Full Albums on YouTube

Six landmark Cannonball records embedded as full-album videos: Somethin' Else, The Quintet in San Francisco, Mercy, Mercy, Mercy!, Know What I Mean?, In Chicago, and Them Dirty Blues.

Open the Cannonball Adderley video page →
Every record reviewed

Cannonball Adderley Discography

All 49 Cannonball Adderley records reviewed on Vinyl Standard, grouped by era in the same order as the era pages, each linked to its review.

The Early Recordings 1955–1958

  1. Presenting CannonballRec. 1955 · Savoy★★★★★
  2. Julian “Cannonball” AdderleyRec. 1955 · EmArcy★★★★★
  3. Julian Cannonball Adderley and StringsRec. 1955 · EmArcy★★★★★
  4. In the Land of Hi-FiRec. 1956 · EmArcy★★★★★
  5. Sophisticated SwingRec. 1957 · EmArcy★★★★★
  6. Cannonball’s SharpshootersRec. 1958 · EmArcy★★★★★
  7. Somethin’ ElseRec. 1958 · Blue Note★★★★★
  8. Portrait of CannonballRec. 1958 · Riverside★★★★★

The Riverside Years 1958–1962

  1. Jump for JoyRec. 1958 · EmArcy★★★★★
  2. Things Are Getting BetterRec. 1958 · Riverside★★★★★
  3. Blue SpringRec. 1959 · Riverside★★★★★
  4. Cannonball Adderley Quintet in ChicagoRec. 1959 · Mercury★★★★★
  5. Cannonball Takes ChargeRec. 1959 · Riverside★★★★★
  6. The Cannonball Adderley Quintet in San FranciscoRec. 1959 · Riverside★★★★★
  7. Them Dirty BluesRec. 1960 · Riverside★★★★★
  8. Cannonball Adderley and the Poll-WinnersRec. 1960 · Riverside★★★★★
  9. The Cannonball Adderley Quintet at the LighthouseRec. 1960 · Riverside★★★★★
  10. Know What I Mean?Rec. 1961 · Riverside★★★★★
  11. African WaltzRec. 1961 · Riverside★★★★★
  12. PlusRec. 1961 · Riverside★★★★★
  13. Cannonball EnrouteRec. 1957 · Mercury★★★★★
  14. Nancy Wilson / Cannonball AdderleyRec. 1961 · Capitol★★★★★
  15. The Cannonball Adderley Sextet in New YorkRec. 1962 · Riverside★★★★★

The Capitol Years 1962–1968

  1. Jazz Workshop RevisitedRec. 1962 · Riverside★★★★★
  2. Cannonball's Bossa NovaRec. 1962 · Riverside★★★★★
  3. Nippon SoulRec. 1963 · Riverside★★★★★
  4. Cannonball Adderley Live!Rec. 1964 · Capitol★★★★★
  5. Live Session!Rec. 1962 · Capitol★★★★★
  6. Cannonball in Europe!Rec. 1962 · Riverside★★★★★
  7. Fiddler on the RoofRec. 1964 · Capitol★★★★★
  8. DominationRec. 1965 · Capitol★★★★★
  9. Great Love ThemesRec. 1966 · Capitol★★★★★
  10. Cannonball in JapanRec. 1966 · Capitol★★★★★
  11. Mercy, Mercy, Mercy!Rec. 1966 · Capitol★★★★★
  12. Why Am I Treated So Bad!Rec. 1967 · Capitol★★★★★
  13. 74 Miles AwayRec. 1967 · Capitol★★★★★
  14. In PersonRec. 1968 · Capitol★★★★★
  15. Accent on AfricaRec. 1968 · Capitol★★★★★

Capitol & Fantasy 1969–1976

  1. Country PreacherRec. 1969 · Capitol★★★★★
  2. Quintet & OrchestraRec. 1970 · Capitol★★★★★
  3. The Price You Got to Pay to Be FreeRec. 1970 · Capitol★★★★★
  4. The Black MessiahRec. 1971 · Capitol★★★★★
  5. The Happy PeopleRec. 1972 · Capitol★★★★★
  6. Inside StraightRec. 1973 · Fantasy★★★★★
  7. PyramidRec. 1974 · Fantasy★★★★★
  8. Love, Sex, and the ZodiacRec. 1970 · Fantasy★★★★★
  9. PhenixRec. 1975 · Fantasy★★★★★
  10. Big Man: The Legend of John HenryRec. 1975 · Fantasy★★★★★
  11. LoversRec. 1975 · Fantasy★★★★★

Julian “Cannonball” Adderley   1928–1975

Julian Edwin Adderley was born September 15, 1928, in Tampa, Florida, and grew up in Tallahassee, where he led a high school band and earned the nickname "Cannibal" for his appetite, later softened to "Cannonball." He studied music education at Florida A&M University and led an Army band before moving to New York in 1955, where a sit-in session at the Cafe Bohemia with Oscar Pettiford's group launched his career overnight.

The quintet he co-led with his brother Nat Adderley became one of the most popular and hardest-swinging groups in jazz, building a repertoire that moved fluently from hard bop to soul jazz to funk without ever losing the blues feeling at its core. His alto tone was enormous, warm, and authoritative, equally at home in the most demanding bebop lines and the simplest gospel melody.

He died on August 8, 1975, in Gary, Indiana, at the age of 46, four weeks after suffering a stroke. He left behind one of the richest discographies in jazz: more than 140 albums, and a body of quintet music that remains among the most joyful and life-affirming work the music has produced.